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Showing posts with label Soundgarden. Show all posts
Showing posts with label Soundgarden. Show all posts

Sunday, 27 November 2011

Lyrically Infused...


In the making is another piece of work using words and lyrics from a song and making it part of the image. I'm slowly building this up paying attention to the contours of the subject of my image.

Here are a few of the other lyrical images I've made this year.

'One' by Metallica
http://carlosmartynburgos.blogspot.com/2011/01/one-by-metallica.html

'For What It's Worth' by Buffalo Springfield
http://carlosmartynburgos.blogspot.com/2011/02/for-what-its-worth-by-buffalo.html

'November Rain' by Guns n' Roses
http://carlosmartynburgos.blogspot.com/2011/02/november-rain-by-guns-n-roses.html

'Bullet With Butterfly Wings' by The Smashing Pumpkins
http://carlosmartynburgos.blogspot.com/2011/06/bullet-with-butterfly-wings.html

'Boot Camp' by Soundgarden
http://carlosmartynburgos.blogspot.com/2011/08/boot-camp-by-soundgarden.html





Wednesday, 24 August 2011

A Meeting Of Worlds Part I

J Ramirez injects his style to my art work, 'Boot Camp'.

Saturday 20th August saw the results of a collaboration by myself and Jonathan Ramirez displayed at Debut Contemporary Gallery, London. Jonathan Ramirez (interviewed here previously) is a digital artist based in Dallas, Texas, and together we have produced five exciting new pieces of art.

In the next few posts I will be telling the story of this special long distance collaboration.

But let's start from the beginning. As some of you may already know, I've been working on a series of drawings inspired by some of my favourite songs or bands and incorporating their lyrics directly in to the art work. Songs by Metallica, Smashing Pumpkins, Guns N' Roses, Buffalo Springfield and Soundgarden. Making the lyrics form shapes and objects creating a narrative amplified by both the pictoral and written elements. These are images that can carry powerful meanings, messages and emotion.


These are drawn entirely by hand, taking up to a week minimum to design, develop and execute. Using technical drawing pens to be able to incorporate very fine details and text. Not much room for any mistakes and these drawings continue to develop as I progress.



I had always planned on adding colour at a later date to my drawings. As I wanted to keep these black and white versions as they were, I had thought about colouring them digitally as I had done with other pieces in the past.

However, time did not allow me to as I was also creating a series of paintings at the same time.

Busy Painting

Previously i had come across the amazing work of a digital artist called Jonathan Ramirez. He had posted a link to his work on a Facebook page at Juxtapose Magazine. The link was to a piece he called 'Tales of a Scorched Earth'. This got my attention as it reminded me of a song by The Smashing Pumpkins, I looked at more of his work and noticed that most of it was inspired by songs and lyrics, by bands that I also liked or knew. We turned out to both be Smashing Pumpkins fans and so I contacted him to make friends.

(His website: jonathanramirez.webs.com)

Some time passed and I still really wanted to add colour to these drawings. Then a thought occurred to me, it may be interesting to see what would happen if I asked Jonathan to add colour to these pieces. Although his style was different to mine, he understood where this work was coming from as he too was influenced by the same music. I really admired his work and style so I thought that it would be even more interesting if I let him continue to interpret the lyrics and my drawings in his own way, adding his unique style and vision. Fusing our styles and talents. I also thought our collaboration would be interesting from a cultural point of view too, he was from Mexico and I had roots from El Salvador, both from Central America.

I contacted him and asked him if he would be interested in collaborating with me, he said yes and our work together began!

(^_^)

Stay tuned for part II...

Read Part II here


Tuesday, 2 August 2011

Boot Camp by Soundgarden

Boot Camp by Soundgarden
boot camp
n
1. US slang a basic training camp for new recruits to the US Navy or Marine Corps
2. (Sociology) a centre for juvenile offenders, with a strict disciplinary regime, hard physical exercise, and community labour programmes
Collins English Dictionary – Complete and Unabridged © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003


Soundgarden gets the lyrical art treatment this time with their song 'Boot Camp'.


Soundgarden is an American rock band formed in Seattle, Washington in 1984 by lead singer Chris Cornell, lead guitarist Kim Thayil, and bassist Hiro Yamamoto.


This is my interpretation of an underrated song I feel is about conformity, longing for change. A society full of rules or social protocol. We long for something else but are still caught in the confines of the system. 


Infant clones/drones stand in line, all with their heads down but one. Head raised and eyes wide open looking upwards towards the sky. A sky it has been told not to look upon. They must all follow the rules, but one dares to dream and question...


Boot Camp detail

The Y label on their foreheads is to show they belong to generation Y also known as 'iGen'. Born after 1981.
Characteristics of the generation vary by region, depending on social and economic conditions. However, it is generally marked by an increased use and familiarity with communications, media, and digital technologies.


I must obey the rules
I must be tame and cool
No staring at the clouds
I must stay on the ground
In clusters of the mice
The smoke is in our eyes
Like babies on display
Like angels in a cage
I must be pure and true
I must contain my views
There must be something else
There must be something good
Far away from here 

And I'll be here for good


Soundgarden was one of the seminal bands in the creation of grunge, a style of alternative rock that developed in Seattle, and was one of a number of grunge bands signed to the record label Sub Pop. Soundgarden was the first grunge band to sign to a major label (A&M Records, in 1988), though the band did not achieve commercial success until they popularized "grunge" in the early 1990s with Seattle contemporaries Nirvana, Alice in Chains andPearl Jam.


Listen to the song: