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Showing posts with label Buffalo Springfield. Show all posts
Showing posts with label Buffalo Springfield. Show all posts

Sunday, 27 November 2011

Lyrically Infused...


In the making is another piece of work using words and lyrics from a song and making it part of the image. I'm slowly building this up paying attention to the contours of the subject of my image.

Here are a few of the other lyrical images I've made this year.

'One' by Metallica
http://carlosmartynburgos.blogspot.com/2011/01/one-by-metallica.html

'For What It's Worth' by Buffalo Springfield
http://carlosmartynburgos.blogspot.com/2011/02/for-what-its-worth-by-buffalo.html

'November Rain' by Guns n' Roses
http://carlosmartynburgos.blogspot.com/2011/02/november-rain-by-guns-n-roses.html

'Bullet With Butterfly Wings' by The Smashing Pumpkins
http://carlosmartynburgos.blogspot.com/2011/06/bullet-with-butterfly-wings.html

'Boot Camp' by Soundgarden
http://carlosmartynburgos.blogspot.com/2011/08/boot-camp-by-soundgarden.html





Wednesday, 24 August 2011

A Meeting Of Worlds Part I

J Ramirez injects his style to my art work, 'Boot Camp'.

Saturday 20th August saw the results of a collaboration by myself and Jonathan Ramirez displayed at Debut Contemporary Gallery, London. Jonathan Ramirez (interviewed here previously) is a digital artist based in Dallas, Texas, and together we have produced five exciting new pieces of art.

In the next few posts I will be telling the story of this special long distance collaboration.

But let's start from the beginning. As some of you may already know, I've been working on a series of drawings inspired by some of my favourite songs or bands and incorporating their lyrics directly in to the art work. Songs by Metallica, Smashing Pumpkins, Guns N' Roses, Buffalo Springfield and Soundgarden. Making the lyrics form shapes and objects creating a narrative amplified by both the pictoral and written elements. These are images that can carry powerful meanings, messages and emotion.


These are drawn entirely by hand, taking up to a week minimum to design, develop and execute. Using technical drawing pens to be able to incorporate very fine details and text. Not much room for any mistakes and these drawings continue to develop as I progress.



I had always planned on adding colour at a later date to my drawings. As I wanted to keep these black and white versions as they were, I had thought about colouring them digitally as I had done with other pieces in the past.

However, time did not allow me to as I was also creating a series of paintings at the same time.

Busy Painting

Previously i had come across the amazing work of a digital artist called Jonathan Ramirez. He had posted a link to his work on a Facebook page at Juxtapose Magazine. The link was to a piece he called 'Tales of a Scorched Earth'. This got my attention as it reminded me of a song by The Smashing Pumpkins, I looked at more of his work and noticed that most of it was inspired by songs and lyrics, by bands that I also liked or knew. We turned out to both be Smashing Pumpkins fans and so I contacted him to make friends.

(His website: jonathanramirez.webs.com)

Some time passed and I still really wanted to add colour to these drawings. Then a thought occurred to me, it may be interesting to see what would happen if I asked Jonathan to add colour to these pieces. Although his style was different to mine, he understood where this work was coming from as he too was influenced by the same music. I really admired his work and style so I thought that it would be even more interesting if I let him continue to interpret the lyrics and my drawings in his own way, adding his unique style and vision. Fusing our styles and talents. I also thought our collaboration would be interesting from a cultural point of view too, he was from Mexico and I had roots from El Salvador, both from Central America.

I contacted him and asked him if he would be interested in collaborating with me, he said yes and our work together began!

(^_^)

Stay tuned for part II...

Read Part II here


Tuesday, 1 February 2011

"For What It's Worth" by Buffalo Springfield

Here's the drawing I've been working on this week. Another picture incorporating words or in this case lyrics from a song. Last week was Metallicas "ONE". Link

This one is inspired by the 1967 classic by Buffalo Springfield "FOR WHAT IT'S WORTH".
Buffalo Springfield was a North American rock group that served as a springboard for the careers of Neil Young, Stephen Stills, Richie Furay and Jim Messina. Despite the band's short tenure and limited output it was one of the most influential bands of the 1960s. (Wikipedia)


A lot more complex than the last and taking a lot more time to complete, this drawing was a real challenge. I always liked this song since I first heard it as a child, it contains some incredibly well expressed lyrics that say a lot with just a few words. I've included below a short clip of the drawing from beginning to finished piece.


With so much social unrest going on just about everywhere, this song still holds its own. For many this song went on to symbolize worldwide turbulence and confrontational feelings arising from events during the 1960's. Even today it's lyrics are still relevant.

"For What It's Worth" - Buffalo Springfield - Lyrics

There's something happening here
What it is ain't exactly clear
There's a man with a gun over there
Telling me I got to beware
I think it's time we stop, children, what's that sound
Everybody look what's going down
There's battle lines being drawn
Nobody's right if everybody's wrong
Young people speaking their minds
Getting so much resistance from behind
I think it's time we stop, hey, what's that sound
Everybody look what's going down
What a field-day for the heat
A thousand people in the street
Singing songs and carrying signs
Mostly say, hooray for our side
It's time we stop, hey, what's that sound
Everybody look what's going down
Paranoia strikes deep
Into your life it will creep
It starts when you're always afraid
You step out of line, the man come and take you away
We better stop, hey, what's that sound
Everybody look what's going down
Stop, hey, what's that sound
Everybody look what's going down
Stop, now, what's that sound
Everybody look what's going down
Stop, children, what's that sound
Everybody look what's going down